![]() ![]() The most powerful racked computer you can currently buy will have a lot of cooling issues.Įxisting software samplers are seemingly built first and foremost for large read-only libraries.Įxisting software samplers are not built to be operated via MIDI or keyboard commands. It doesn't already exist, that's the thing. well, I’ll just say that argument is as old as the personal computer, which we’ve (mostly) all since learned is simply NOT the be all, end all of digital hardware processors in all their varied forms - and never will be. and, ultimately, it logically follows that threads like these about digital hardware ANYTHING are all now superseded and obsoleted by this amazing invention called the personal computer. So close that 2020 seems quite do-able, IF it's been in the planning stages for a while, Sequential have the designs and implementations down, and they're just waiting the the proper market timing to launch it (after feeling out the X-waters).ĭave, please release the Prophet-XS (S is for Sampler) now so I can swap out my X and get bizy widit.īut, if you’re suggesting that a hardware sampler = personal computer = hardware sampler, because they may each utilize ubiquitous computer chips in their implementations, etc, and then act as though this is some revelation that, if you can only explain it properly, it will convince others that their perfect hardware sampler already exists and it’s called the personal computer. #Renoise sampler set polyphony limit fullA full complement of selectable digital filters - perhaps going back to Rossum's E-mu roots (via Creative Labs?) and choosing the best of the best from his classic sampler lines - along with the ability to morph between said filters - would be truly awesome. E-mu (Rossum) filters in all their (((stereo))) analog glory. I think the Prophet-X would be so very close to this ideal - IF it could sample directly and then do its thing, rather than requiring samples to be imported. ![]() Gimmie, gimmie, gimmie!!!!! I know right. Whoever owns the rights the EMU Systems technology, i would play upwards of$3k to get a modern EMU sampler with those incredible EMU filters and with some knobs on it for envelope control. Artists who recorded with Motown included the Jackson 5, Diana Ross, Martha Reeves, Marvin Gaye and Smokey Robinson.It is definitely annoying that SOMEONE hasn't tested the waters yet in bringing back a hardware keyboard sampler. Although it had the same heartfelt emotion and passion in the music, the sound was smoother than their counterparts at STAX. In Detroit, Michigan, a style of soul music was also developing. Artists recording with STAX included, Aretha Franklin, Otis Redding, Sam & Dave, Isaac Hayes, Booker T & the MG's, Staple Singers to name a few. At this time, racial segregation was still very much part and parcel of everyday life for Americans and was certainly a barrier to creative collaborations such as writing and recording music. One of the main centres for soul music was in Memphis Tennessee, home of STAX records, where musicians from different ethnic backgrounds joined together to write and record music. It was a combination of gospel, blues and country music, and its gritty sound reflected what was happening socially in America at that time. Soul music developed in the southern states of America and grew in popularity throughout the 1960s. For example, a typical five-band graphic equalizer has sliders for five fixed frequencies A ten-band equalizer has controls for ten fixed frequencies, allowing greater tone control. For example, if the centre frequency is 30Hz, the control also affects frequencies as low as 20Hz and as high as 40Hz, although the affect is less at the extremes.Ī Graphic Equaliser is the simplest type of equaliser and consists of multiple sliders or controls for boosting or cutting bands or frequencies of sound. A parametric equalizer also controls the bandwidth, Q, of each control. Each model varies, but the centre frequency can be varied to adjust a specific frequency. A parametric equalizer can also control the centre frequency. Each selected frequency can be increased or decreased. The Parametric Equaliser can control three aspects of each frequency: level (boost or cut), the centre (primary frequency) and the bandwidth (range of each frequency). As with all effects and processes less-is-more and you can quickly add too much making your recordings sound worse! A device for selectively cutting or boosting selected parts of the audio spectrum, useful in shaping the desired sound of a voice or instrument.Įqualisation is used for a variety of reasons for correcting, enhancing, contextualising or blending the sound source. ![]()
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